A chilling,
mesmerizing novel that combines the best of modern forensic thrillers
with the detail and drama of historical fiction. In medieval Cambridge,
England, four children have been murdered. The crimes are immediately
blamed on the town's Jewish community, taken as evidence that Jews
sacrifice Christian children in blasphemous ceremonies. To save them
from the rioting mob, the king places the Cambridge Jews under his
protection and hides them in a castle fortress. King Henry II is no
friend of the Jews-or anyone, really-but he is invested in their fate.
Without the taxes received from Jewish merchants, his treasuries would
go bankrupt. Hoping scientific investigation will exonerate the Jews,
Henry calls on his cousin the King of Sicily-whose subjects include the
best medical experts in Europe-and asks for his finest "master of the
art of death," an early version of the medical examiner. The Italian
doctor chosen for the task is a young prodigy from the University of
Salerno. But her name is Adelia-the king has been sent a "mistress" of
the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a
Moor-travel to England to unravel the mystery of the Cambridge murders,
which turn out to be the work of a serial killer, most likely one who
has been on Crusade with the king. In a backward and superstitious
country like England, Adelia must conceal her true identity as a doctor
in order to avoid accusations of witchcraft. Along the way, she is
assisted by Sir Rowley Picot, one of the king's tax collectors, a man
with a personal stake in the investigation. Rowley may be a needed
friend, or the fiend for whom they are searching. As Adelia's
investigation takes her into Cambridge's shadowy river paths and behind
the closed doors of its churches and nunneries, the hunt intensifies and
the killer prepares to strike again . .
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